ENGL 102: Introduction to Prose Fiction
ENGL 102: Introduction to Prose Fiction
Winter 2024 Course Syllabus
Course delivery: Online
Course time: asynchronous (no set class time; there will be an optional book club)
The College of the Rockies is located in the traditional territory of the Ktunaxa First Nation. It is our responsibility to honour the stewards of this land by educating ourselves about the histories and contemporary realities of First Peoples, and by contributing to the important work of reconciliation and decolonization.
Welcome to English 102. In this course, you will learn to read fiction with an understanding of genre, technique, and form; to apply various critical strategies to literary texts; and to develop analytical writing skills appropriate to essays at the university level. Above all, you will develop the ability to read with increased understanding of the art of literature and therefore with more enjoyment and a better grasp of fiction's contribution to your understanding of the moral, social, and political forces that shape modern life.
TEXTBOOKS: Please note that these texts are different from those listed on the course outline. Any additional readings will be posted on COTROnline.
Garrett-Petts, W.F. Writing about Literature: A Guide for the Student Critic. 2nd ed. Broadview press, 2013.
Buzzard, Laura and Majory Mather. The Broadview Anthology of Short Fiction. 4th ed. Broadview press, 2020.
Robinson, Eden. Monkey Beach. Vintage Canada, 2000.
Chariandy, David. Brother. McClelland & Stewart, 2017.
COURSE LEARNING OUTCOMES
Reading and Analysis:
Perform a formal and coherent close reading of a literary text in an academic essay format;
Discuss literature as part of a multicultural canon, demonstrating an awareness of the cultural diversity represented through literary texts;
Recognize fundamental literary devices, modes and genres, and explain how such formal features structure and work to create meaning in literary texts;
Demonstrate a working vocabulary of literary and critical terminology;
Recognize the relevance of context to literary interpretation (e.g. cultural, historical, global);
Compare and contrast issues and formal elements in assigned texts;
Engage respectfully with different interpretations;
Assess validity of a given interpretation; and
Express ideas orally in small-group settings.
Writing About Literature:
Write scholarly essays that analyze the formal features and historical contexts of literary works;
Produce a substantial body of successful writing under time and exam restrictions as well as out of class;
Select and integrate primary textual evidence that effectively supports the argument;
Make appropriate use of secondary sources where applicable;
Format essays using a recognized style guide, such as MLA;
Use inclusive language.
Develop an argument with a thesis or controlling idea, using appropriate language and rhetorical patterns and accurate, relevant, specific, and sufficient supporting material for its audience and purpose;
Write unified, coherent paragraphs, including effective introductions and conclusions, and transitions between and within paragraphs; and
Write correct, clear, cohesive, and effective English
INSTRUCTOR: Amber Petersen, HBed, MA
EMAIL: apetersen@cotr.bc.ca
During the week, I will do my best to respond to emails and TEAMS messages within 24 hours between 8:30 am and 4:00 pm (MST) Monday-Thursday. Emails received on Fridays or over the weekend will receive a response on Monday. Please check your COTR email and COTROnline page for questions about due dates, course readings, etc. before e-mailing me. I can only reply to emails sent from a College of the Rockies email account.
Email and TEAMS correspondence is an excellent way to practice your communication skills, so please use the language and structure appropriate for this writing situation when you email me.
Outside of class, my scheduled office hours are the best time to see me in person or over TEAMS. However, if you cannot make it during those hours, you may e-mail me to schedule an appointment. Please keep in mind that I may not be available to meet immediately or even during the next working day. Please note that you are responsible for the content covered in class lectures and in your readings. Also, please remember that I am not able to pre-grade or read full drafts of your assignments before you submit them, and I cannot allow you to re-submit assignments after they have been graded. Please ensure that you have regular attendance and use the supports available to you at the college.
My schedule for Winter 2023 is:
Monday Tuesday Wednesday Thursday Friday
8:30-10:00 COMC 102-02
KC 154
COMC 102-02
KC 154 I am grading and preparing for lectures off-campus on Fridays and may not be available to meet.
10:00- 11:30 COMC 101-02
KC 152 ENGL 102
Online Course COMC 101-02
KC 152 ENGL 102
Online Course Lunch: 11:00-11:30 Lunch: 11:00-11:30 11:30-1:00 ENGL 102-01
S205
COMC 101-01
KC 151 ENGL 102-01
S205 COMC 101-01
KC 151 1:00- 2:30 Lunch: 1:00-1:30 Office hour
KC150-F
1:00-1:30 Lunch: 1:00-2:00 Office hour
KC150-F
1:00-1:30 Office Hours
KC150-F
1:30- 4:30 Amber off campus Amber off campus Amber off campus 2:30- 4:00 Please remember that messages sent in the evening will be responded to during the next working day.
A NOTE ON PLAGIARISM
If you use someone elses work without clearly acknowledging the sourcethis is plagiarism.
This includes paraphrasing or directly quoting any work, published or unpublished, that another person wrote without clearly acknowledging that person as the source. If you allow someone else to do your work for you and claim that work as your own, you will have committed collusion, which is a form of plagiarism.
The use of generative AI (Chat GPT, etc.) to complete or assist the completion of course work is considered a breach of academic integrity according to the Colleges 2.4.4 Student Conduct Policy unless permission is received from the instructor in advance. Please consult with me any time you would like to use AI.
If I find any evidence of academic misconduct in your assignments, you could receive a failing grade (possibly a zero) on the assignment and receive an academic misconduct report. For further information on the academic policies of COTR (including plagiarism), see http://www.cotr.bc.ca /policies/. Please pay particular attention to the student conduct policy. If you submit an assignment and then, afterwards, have doubts about your citation- please email me immediately. I will allow you 48 hours to fix (and highlight) your citations without penalty.
COURSE ASSIGNMENTS:
Participation 10%
Regular participation is mandatory. Please keep detailed notes on your participation (in online discussions and/or book club) to submit at the end of the semester. (7%) ongoing
Glossary Post Assignment- you will write a definition for a literary term to aid your peers comprehension (3%) due Thurs, Jan 25
Annotation Assignment 5%
This assignment will give you an opportunity to practice your close reading skills. You will be asked to indicate rhetorical features of a passage from Eden Robinsons Monkey Beach and write a personal analysis paragraph. This is a scaffolded assignment; you will build on your work and my feedback to compose your close reading essay. (5%) due Thurs, Feb 1
Close Reading Essay 20%
This essay will expand on your annotation assignment to provide an analysis of literary form and content (how text makes meaning). You are not required to do any additional research, but citing the formal definition of literary terms is encouraged. (20%) due Thurs, Feb 15
Reading Quiz 5%
This quiz will require you to have a basic understanding of the short stories listed on the syllabus before we cover them in class. This will help you get the most out of class discussions and will also help you to prepare for your final essay. (5%) on Mon, Feb 26
Final Essay 35%
Final essay proposal- you will outline which two short stories you will compare for your final essay. You will explain your critical approach and include any additional resources you intend to use. This is an excellent opportunity to get feedback from me (in-person) before drafting your final essay. (10%) due Thurs, March 7
Final essay- This essay will require you to compare two of the short stories from the course syllabus. Please keep in frequent contact with me as you work on your final essay. (25%) due Thurs, March 28
Final Exam 25%
The final exam will require you to write an essay on David Chariandys Brother, please ensure that you have read this text to be adequately prepared. You will have 3 hours to complete the exam. (25%) held during the exam period; I will email when the exam schedule has been posted.
A NOTE ON GRADES
All grades are earned by academic merit. Please do not ask me to assign you a grade that you have not earned.Please ensure that you understand the assignment guidelines and evaluation criteria (come see me to clarify any and all questions) throughout the process of composing your assignments to ensure that you earn a grade that reflects you abilities.
I am always willing to provide further feedback on assignments. Please wait 48 hours before emailing me to set up a meeting to discuss.
If, for any reason, you cannot submit an assignment on the due date, you must contact me as soon as possible to discuss an extension/ accommodation. Assignments submitted late without an extension will not be accepted 5 business days after the due date (and may be deducted marks). I cannot authorize a request to change exam dates.
Date ENGL 102 W2024 Schedule
Please Note: Schedule is subject to change with notice Assignments are due Thursdays @4:30 pm
Week 1
Mon, Jan 8 Introduction to ENGL 102
Course policies
Learning to analyze literature Glossary post assignment guidelines will be provided
Features of a story
Kate Chopins The Story of an Hour (Broadview, 34) Week 2
Mon, Jan 15 4 stances of discourse practice
Stephen Cranes The Bride Comes to the Yellow Sky Stephen Cranes The Bride Comes to the Yellow Sky
Group discussion questions- personal response questions
Annotating or mining the text Annotation assignment guidelines will be provided
Week 3
Mon, Jan 22 Models of student introductions
6 topoi of literary interpretation Critical approaches to analyzing literature: formalism, reader response, and cultural criticism
Glossary post assignment is due (3%)
Week 4
Mon, Jan 29 Introduction to Eden Robinsons Monkey Beach
Time to compose annotation assignment Eden Robinsons Monkey Beach Part 1
Annotation assignment is due (5%); Close reading essay assignment guidelines will be provided
Week 5
Mon, Feb 5 Eden Robinsons Monkey Beach Part 2 Eden Robinsons Monkey Beach Part 3 Week 6
Mon, Feb 12 Eden Robinsons Monkey Beach Introduction to Hemmingway, Roupenian,
Mistry, Munro, OBrien, Le Guin, and Murakami Close reading essay is due (20%); Final essay guidelines will be provided
Week 7
Mon, Feb 19 Please rest, please read.
I also suggest that you listen to Thomas Kings Massey Lectures
Wed, Feb 21 Week 8
Mon, Feb 26 Reading quiz on Ernest Hemmingways, A Clean, Well-Lighted Place; Kristen Roupenians Cat Person; Rohinton Mistrys Swimming Lessons; Alice Munros The Bear Came Over the Mountain; Tim OBriens The Things They Carried; Ursula K. Le Guins The Ones Who Walk Away from Omelas; Haruki Murakamis Barn Burning Reading quiz (5%)
Ernest Hemmingways, A Clean, Well-Lighted Place (posted on COTROnline) Week 9
Mon, March 4 Kristen Roupenians Cat Person (Broadview, 418) Rohinton Mistrys Swimming Lessons (Broadview, 280) Final essay proposal due (10%)
Week 10
Mon, March 11 Alice Munros The Bear Came Over the Mountain (posted on COTROnline) Tim OBriens The Things They Carried (Broadview, 240)
Week 11
Mon, March 18 Ursula K. Le Guins The Ones Who Walk Away from Omelas (Broadview, 146) Haruki Murakamis Barn Burning (posted on COTROnline)
Week 12
Mon, March 25 Time to work on final essay Introduction to David Chariadys Brother
Instructions for final exam Final essay due (35%)
Week 13
Mon, April 1 Easter Monday
Wed, April 3 David Chariadys Brother Week 14
Mon, April 8 David Chariadys Brother Week 15
Mon, April 15 Participation assignment
Exam preparation- make notes sheet
